Tuesday 21 April 2015

Knitter's Magazine 118: A Review


Knitter's Magazine has released issue 118. Let's have a look at it, shall we?





Red/Violet. This looks like something that appeared in a woman's magazine circa 1990, next to tips for creating an inexpensive homemade version of Lunchables for a child's lunch.





Refracting Diamonds. Nice shape and detailing.





Ultraviolet. Between the length and open work knitting's tendency towards stretching and shapelessness, this will look dowdy on most women.





Silver Status. Not a bad jacket. It has some polish and contemporary appeal. (I'm assuming that the one side of this cardigan isn't really 2.5" higher than the other and that the clasp normally lies straight across the front and it's just the model's pose that is making the sweater sit askew.)





Well Connected. Not a bad take on the classic cabled cardigan.





Radiating Ribs. I'm no fan of the spencer normally, but I do like this one. The lines are excellent, the yarn is attractive, and the styling is very well done. Spencers work best over dresses with either an empire waist or no defined waist at all (so that there aren't any competing horizontal lines), and the use of a shawl pin is inspired.





Skacel Collection. The caption for this design says that "[t]his mixed-media top—Artfelt® and knitting—begins with a center panel made with Skacel’s Artfelt® paper and roving, then joins knit side panels with short-row hip gussets and light-as-air sleeves". This does make for an interesting texture and colourway, but the baggy shape and sleeve length is going to be unflattering on most women.





Incline/Decline. This looks like some sort of seventies-era wall hanging that's been turned into a top. Maybe I'd like it better with a better, crisper colourway. These look muddy and tacky.





Surface Tension. This one takes a basic t-shirt style to the next level. I'd consider making this a little shorter and more fitted through the hips.





Accent on Stripes. This design is knitted from side to side in ripple stitch, and is buttoned rather than seamed at the sides, which an interesting and novel construction, but I think this may be one of those cases where a creative concept didn't get the execution it deserved. It's hard to tell without more pictures, and especially a clearer look at the front view. I might not include the stripes, as they do look a little too afghan-like.





Ripple Effects. Elegant summer cardigan.





Ocean Shale. This looks like it came from The Golden Girls' wardrobe trailer.





Static Resistance. Not bad. It's undeniably eye catching and has a good shape.





It's Just Physics. These have a certain casual appeal. I like the full-fledged top on the left better than the shrug on the right, which is pretty but does look a little like a cowl that's lost its way. The yarn used here is lovely.





Möbius X 3. They're all pretty so far as colour and texture goes, but the centre möbius cowl is much better styled. The other two look like sad flat tires.





Warp Speed. This design is very Missoni, and has a good shape, but I would not use variegated yarns like these for this item, but would go with a solid or flecked yarn. The stripes make it too much like an afghan for my tastes.





Blueprint Wrap. Very pretty shawl. I like the combination of the delicate lace and the precise shape.

Wednesday 15 April 2015

Bergère de France Magazine 179: A Review


Bergère de France has released Magazine 179. Nous allons jeter un coup d'oeil, allons-nous?





Pattern #01, Skirt and Pattern #02, Sleeveless Top. Not a bad little simple outfit. I don't know that I would go with the open back detail, as it's a little roughly done and doesn't add much of anything to the design.





Pattern #03, Short Sleeve Sweater. Personally I've never found it necessary to graphically remind a child that the beach is fun. And if it were necessary, I could probably find better designed ways to do it.





Pattern #04, Round Neck Sweater. Cute simple sweater.





Pattern #05, Shorts. The grid effect is also cute done on shorts. I agree with Bergère de France's decision to separate the shorts and the top from above into two different outfits. The grid pattern will be too much if spread over two separates worn simultaneously.





Pattern #06, Short Sleeve Cardi. That's not a badly designed pineapple, but it seems rather strange to plop it on the back of a cardi that's so plain in front.





Pattern #07, Anisette Hair Band. The green hair band looks like something you'd put on your daughter whenever you were dressing her up as Norma Desmond, which I hope is never. The one in yellow isn't terrible, but there are better designed hair bands out there.





Pattern #08, Pineapple Bag. Looks more like a toilet paper cosy than a pineapple, let alone a purse.





Pattern #09, Romper With Shoulder Straps. Not bad. I'd recommend making the rind green rather than whatever colour it is here, which makes it look less like a slice of watermelon than like a slice of pizza.





Pattern #10, Bikini. How does a design manage to be this ugly when there's this little of it? Moreover this bikini will not stay in place, or even on, once it gets wet.





Pattern #11, Pineapple Top. Not a bad little top. I'd move the pineapple image up a few inches as it doesn't look properly centred as is.





Pattern #12, Rucksack. Not bad at all. The bag has a good shape. I think it calls for wider straps, though. I hate to think how those thin cord-sized straps will dig in to a child's shoulders when the bag is full.





Pattern #13, Playsuit. This is kind of cute, but that surfboard does look a little disturbingly like a pair of lips to me.





Pattern #14, Cardigan. Not a badly shaped cardigan, but I don't think I understand the concept of sewing letters randomly across it.





Pattern #15, Short Sleeve Openwork Sweater. Not bad, though it might be a bit bulky for summer wear.





Pattern #16, Playsuit. You really need to put more effort into your "designs" than this, Bergère de France.





Pattern #17, Round Necked Sweater. Here's that simple grid pattern again. If you're concerned it'll be too much bother to fuss around with a second colour, the vertical lines are crocheted onto the finished pieces.





Pattern #18, Openwork Top and Pattern #19, Shorts. What the Ingalls girls wore as winter underwear back in their toddler days.





Pattern #20, Halter-Neck Tunic. Fetching little piece. Which I would want to do in any colour other than oatmeal.





Pattern #21, Strappy Top. Not a bad little basic pattern.





Pattern #22, Sleeveless Dress. Cute simple dress. The stripes make it.





Pattern #23, Short Roll Edge Sweater. Don't like this effect, which looks for all the world like a shrunken sweater layered over a not-shrunken one.





Pattern #24, Crossover Cable Cardi. This is rather squarish for my tastes, but it does have a certain contemporary style to it.





Pattern #25, Cardigan. This one is both squarish and minus the cable detailing that gave the sweater above some interest. Honestly, this looks like a beginner project that a beginning knitter will be really proud of at first and secretly take apart later.





Pattern #26, Hooded All In One. Rather a cute little number. But what I'd really like is the pattern for the blanket this little girl is sitting on.





Pattern #27, Romper. Just the thing for your bouncing baby balloon to wear.





Pattern #28, Rolled Edge Sweater and Pattern #29, Beanie. Not a bad little sweater. The varying stripe widths give it visual interest and a certain smartness. The hat is basic as basic gets and you probably already have an identical pattern.





Pattern #30, Sleeveless All-In-One. Adequate. I do wish the designer had done something more interesting with the meeting point of the two stripe widths.

Monday 13 April 2015

Roadkill Collage and Other Knitting Fables


Oleg had been knitting on public transit for years, and he found that blending in was the best way to avoid all those tiresome comments about how unusual it was to see a man knitting.

[Photo by Joseph Ford, with knitting by The Duke of Woollington.]





Sometimes even Crispin and Iris were amazed by their own coolness.





Philip had made a vow not to speak until he'd achieved his twin goals of moving out of his parents' basement and putting flowers on the graves of all four of the original members of The Ramones, but he thought there was no reason why he shouldn't let his clothes speak for him.





At the Purl & Prance Dance School, all the students had to knit or craft their own costumes.





During the Springfield community theatre's art house presentation of a crafter's version of the French Revolution, "Marie Knitoinette" brought down the house when she bellowed, "LET THEM CROCHET!"





Design student Colleen considered her pre-sagged and pre-pilled designs to be the most brilliant thing in design since acidwash jeans.





Design student Silken was insulted when one of her classmates asked her if she was taking Colleen's pre-pilled look steps farther. Her design was a celebration of her ovaries, thank you very much.





Meanwhile, Silken and Colleen's classmate Stefan had created a look he said was inspired by the sight of his six cats' eyes gleaming in the dark. Behind his back the rest of his classmates referred to it as the Roadkill Collage.





Fellow design student Nestrelda had spent far too many school nights staying up late to drop acid and re-watch Dances With Wolves, Never Cry Wolf, White Fang, and Teen Wolf.





Frustrated by his lack of success in meeting women, Gunther cast all attempts at subtlety to the winds.